[News] RGS-IBG 2025 CfP Stories we tell: Storytelling and the politics of small and different stories in geographical research
Melike Peterson | Universität Bremen
peterson at uni-bremen.de
Thu Jan 16 10:19:20 CET 2025
Liebe Liste,
wir freuen uns, folgenden CfP für die Session STORIES WE TELL:
STORYTELLING AND THE POLITICS OF /SMALL/ AND /DIFFERENT/ STORIES IN
GEOGRAPHICAL RESEARCH bei der RGS-IBG 2025 in Birmingham mit euch zu
teilen.
Lg
Melike & Katrin
----
CFP FOR THE SESSION
STORIES WE TELL: STORYTELLING AND THE POLITICS OF /SMALL/ AND
/DIFFERENT/ STORIES IN GEOGRAPHICAL RESEARCH
‘Stories, unlike data, contain the affective legacy of our
experiences. They are a felt knowledge that accumulates and becomes a
force that empowers stories that are otherwise separate to become a
focus, a potential for movement.’ (Million 2014: 32-33)
The proposed session is inspired by Million's (2014) observation on
the power of stories and de Leeuw and Morgan's (2020: 520) addition of
thinking carefully about how and where, by whom and for whom stories
are told (i.e. storytelling). We want to create a space to explore the
potential of storytelling and storylistening and the telling of and
listening to ‘small’ (Frenette 2024, Lorimer 2003) and ‘other’ stories
(Solorzano/Yosso 2012) for geographical research at a theoretical,
methodological and empirical level.
While ethnographic research can already look back on a tradition of
narrative formats (Coppens et al. 2020: 255) and autoethnographic
approaches in particular emphasise various forms and formats of
narrating personal, subjective and intimate moments (Ellis/Bochner
2000: 739), storytelling has so far played a crucial role in
geographies that care about the small, embodied and relational
productions of place and space (Harris 2022, Vasudevan et al. 2023).
Some researchers have discussed the potentials and challenges of
storytelling and narrative geographies, such as Schröder (2022) and
Peterle (2021) in relation to comics or Piscitelli (2023) on the
medium of documentary film. While these discussions have mostly
focussed on formats, in this session we want to take a closer look at
storytelling as a methodological approach.
We understand geographies of (small) stories as a critical and
interdisciplinary perspective that ‘experiments with narrative forms
and textual and visual storytelling practices as creative ways to
deconstruct dominant discourses about cities, places, and spatial
identities and to activate the plurivocal composition of
spatial-meanings’ (Peterle 2021: 9). Stories are both particular and
personal as well as expressions of larger social, political and
cultural contexts (Cameron 2012: 574), and the telling, sharing and
hearing of stories is relational, embodied, and affective (McKittrick
2021: 6). Stories and storytelling can thus also serve to pay more
attention to the subtleties, pitfalls, uncertainties and
incompleteness of academic work (McKittrick 2021: 7-8).
In line with the conference theme /Geographies of Creativity /
Creative Geographies/, in this session we would like to explore how
storytelling and geographies of (small) stories are particularly
suited to making the invisible visible, intervening in existing power
relations and making geographical research more communicable outside
of academia.
We welcome feminist, creative, innovative and/or political
perspectives on and discussions on storytelling. Submissions may
include, but are not limited to, the following questions:
* What geographical issues are particularly suitable or relevant
for using storytelling in order to develop transformative and ‘other’
perspectives on society? What is the significance of these ‘other’
stories?
* What remains or becomes invisible in geographies of
storytelling and listening?
* To what extent are geographies of storytelling suitable for
analysing power (mis)relations?
* How can the positionalities and situatedness of all research
participants be considered in storytelling?
* What methods are suitable for storytelling?
* To what extent is storytelling suitable for communicating
science to a broader public?
_Presentation format:_ Both traditional paper presentations and other
formats or approaches to presentation and storytelling can be used.
We look forward to receiving proposals (abstract of approximately 250
words) BY 28 FEBRUARY 2025 to Melike Peterson (peterson at uni-bremen.de)
and Katrin Singer (katrin.singer at uni-hamburg.de).
_Cited literature_
Cameron, E. (2012). New geographies of story and storytelling.
/Progress in Human Geography /36(5): 573-592.
Coppens, L., Dietrich, M.-C. & Schäuble, M. (2020). Audiovisuelle
Forschungsmethoden. In B. Beer & König, A. (Eds) /Methoden
ethnologischer Feldforschung /(pp. 241-260). Dietrich Reimer Verlag.
De Leeuw, S. & Morgan, V. S. (2020). Narrating new spaces: Theories
and practices of storytelling in feminist geographies. In A. Datta et
al. (Eds) /Routledge Handbook of Gender and Feminist Geographies /(pp.
519-530). Routledge.
Ellis, C., & Bochner, A. P. (2000). Autoethnography, personal
narrative, reflexivity: Researcher as subject. In Denzin, N. K. &
Lincoln, Y. S. (Eds) /Handbook of Qualitative Research /(2nd ed, pp.
733-768). SAGE.
Frenette, A. (2024). Story-listening as methodology: a feminist case
for unheard stories. Gender, Place & Culture 31 (3): 379-399.
Harris, L. M (2022). Towards enriched narrative political ecologies.
/EPE: Nature and Space/ 5(2): 835-860.
Lorimer, H. (2003). Telling small stories: Spaces of knowledge and the
practice of geography. /Transactions of the Institute of British
Geographers /28(2): 197-217.
McKittrick, K. (2021). /Dear science and other stories/. Duke
University Press.
Million, D. (2014). There is a river in me: Theory from life. In
Simpson, A. & Smith, A. (Eds) /Theorizing Native Studies /(pp. 31-42).
Duke University Press.
Peterle, G. (2021). /Comics as a research practice: Drawing narrative
geographies beyond the frame/. London: Routledge.
Piscitelli, P. (2023) Film: Filmemachen als transformatives
Forschungstool. In Singer, K., Schmidt, K. & Neuburger, M. (Eds)
/Artographies: Kreativ-künstlerische Zugänge zu einer machtkritischen
Raumforschung/ (pp.157-188). Transcript.
Schröder, V. (2022). More than words: /Comics/ als narratives Medium
für Mehr-als-menschliche Geographien. /Geographica Helvetica/ 77:
271–287.
Solorzano, D. G. & Yosso, T. J. (2002). Critical race methodology:
Counter-storytelling as an analytical framework for education
research. /Qualitative Inquiry /8(1): 23-44.
Vasudevan, P., Ramírez, M. M., González Mendoza, Y. & Daigle, M.
(2023). Storytelling Earth and Body. /Annals of the American
Association of Geographers /113(7): 1728-1744.
Dr. Melike Peterson
Postdoctoral Researcher in Urban Geography
Institute of Geography
Universitäts-Boulevard 13
28359 Bremen, Germany
Phone: 0049 421 218 67133
Twitter @MelikePeterson
Project: bibliothekenundrechtaufstadt.wordpress.com
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